The field in front of the Allen’s house showed little or no signs of the hurricane’s passage.For an observer, the farm seemed to give, at first sight, an impression of absolute normality……Only when you looked at the first floor,the windows, you noticed that the house didn’t have a roof.***
The wheel has turned another year and the Roman de Rochefort is upon us again, this year their are several thrillers in the short list, and as I was away on hols I’ve begun with one of these, The North Face of the Heart. Move over Star Wars, Dolores Redondo has written a prequel to her Baztan trilogy featuring Amaia Salazar which are available on Netflix. In this then her fourth book, Salazar is a young assistent detective sent on a course for international police forces at Quantico, to learn about profiling serial killers, but she is not just another student. The renown, somewhat maverick team leader, Aloisius Dupree, has noticed her before she arrives. We should mention here that she has already, at the age of 25, single handedly caught her first serial killer in her native Basque country at Baztan.
Early on in her training, Dupree seconds Amaia onto his team to look for an active serial killer dubbed “the Composer” who has passed under the radar by killing whole families during natural disasters, he then composes the family members with their heads facing north, to make it seem as if the father has killed the whole family, his wife and three children as well as the children’s grandmother before ending his own life. By profiling the victims, Amaia closes in on the composer, for instance as in the opening quote when she visits the Allen’s farm it seems her profiling may not be right as only the parents and the three children are initially found, but she is sure of herself and finally finds the grandmother who had tried to escape, shot and dragged under the houses missing roof.
Amaia closes in on the “Composer”, sure that it is a Martin Lenx, whose 5 family members had been found dead 18 years earlier, she talks to the photographer who had taken his family picture just before the massacre all those years before and who had recognised the frustration in him that his family were not what he had planned:
Look at Lenx’s mouth. It looks like a notch carved out by an axe. She agreed. It was exactly whhat she had thought on seeing it.
In fourty years of trade, I’ve often seen it, it’s what I call the “syndrome of the bride and the rain”.***
In this story, with team rivalry and loyalty put in question and explored, Dupree leads the down to New Orleans in 2005 ahead of Hurricane Katrina, ostensibly to get ahead of “the Composer”, but Dupree has unfinished business following the previous Hurricane to hit New Orleans, Betsy. From here on in I’m divided, the descriptions of Katrina and what happened are excellent historical reading, for instance that after hurricane Betsy the then mayor had encouraged everyone to have an axe in their attic ready for the next hurricane (to get out of course). However the story of the abductions and the voodoo with Dupree carrying a gris gris left me exasperated.
There is also the story of Amaia’s childhood played in flashback, explaining her sensitivity to evil.
The main story of the search for the serial killer, including the hunt for him in New Orleans was a page turner, Amaias own story in flashback was of interest but the third story of the abductions and voodoo could have been left out shrinking a near 700 page book back to a more reasonable 500 pages.
First Published in Spanish as “La cara norte del corazón” in 2021, in Spain by Booket.
Translated into french by Anne Plantagenet and published as “La face nord du coeur” by Gallimard in 2021.
Translated into english by Michael Meigs and published as “The North Face of the Heart” by Amazon Crossing in 2021
*** my translation
The quotes as read in French before translation
Le champ devant la maison des Allen trahissait à peine le passage de l’Ouragan. Pour un obserateur, la ferme pouvait donner, dans un premier temps une impression de normalité absolue…..Seulement quand on regardait l’étage, les fenêtres, on s’apercevait que la maison n’avait pas de toit.
Regardez la bouche de Lenx. On dirait une entaille fait à la hache.
Elle acquiesça. C’était exactement ce qu’elle avait pensé en la voyant.
En quarante ans de Métier, je l’ai souvent observé, c’est ce que j’appelle le “syndrome de la mariée et la pluie”