Jeniffer Egan ‘Manhattan Beach’


He eyed Kerrigan, searching for the weakness. Money wasn’t his object, or he’d have demanded it before singing. What, then? In a mick it was usually booze,but Kerrigan hadn’t the look of a lush. Nor was there much propensity for violence in those scrappy limbs, though he’d likely fight hard in self-defense. Women? Micks were famously prudish, faithful to their blowsy wives—perhaps recalling the bonny colleens they’d been before the assembly line of children, or from fear of their drunken, bellicose priests.


Anna’s Father, Eddie Kerrigan was a trusted bag carrier for Irish organised crime around Manhattan beach, he could be trusted not to be noticed as he carried money from one place to the next. The book opens at a pivotal moment in his life as, on a Sunday, he meets up with Dexter Styles, looking to make the next step up and work for the Italians proposing, as we learn later in the book, to watch Styles’ different operations, not being noticed, and spot the people that were cheating him. Styles eyed up Kerrigan to try to understand his motives as illustrated in the opening quote. Kerrigan had gone to Styles’ house with his daughter Anna who was only eight years old at the time and we see what is happening in this adult world through Anna’s eyes.

In early 1930’s America Anna was living at home with her parents and her seriously crippled sister, where their only fun in life was the occasional visits from her aunt, Brianne whose stories only Anna believed:


“And the trumpeter?” he asked. “Oh, he’s a real lover boy. Curls like Rudy Vallee.” She would need money again soon enough. Brianne was long past her dancing days, and even then her chief resource had always been her beaus. But fewer men were flush now, and a girl with bags under her eyes and a boozy roll at the waist was less likely to land one. Eddie found a way to give his sister money whenever she asked, even if it meant borrowing from the shylock. He dreaded what she might become otherwise.


And then one day Eddie disappears for good. Fast forward and Anna is working for the war effort at Manhattan beach where she dreams of becoming a diver working on war ships and when she finally gets to meet Lieutenant Axel who could make her wishes come true she comes up full against anti female prejudice:


“You’re interested,” Lieutenant Axel said, gazing up at Anna as she stood before his desk. He’d not risen when the marine had shown her into his office. “Yes, sir,” she said. “Extremely interested.” “And what gave you the impression that diving would be interesting?” She hesitated, not entirely sure. “I’ve watched divers on the barge,” she said. “From Pier C. At lunchtime. And after my shift.” She followed each utterance with a pause, awaiting some indication that he had understood. “You’ve watched the divers at lunchtime,” he finally said. As this was not a question, and as her words, reverberated through Lieutenant Axel, had a way of sounding ridiculous,


Anna, whilst working at the docks was one of the few women who were not married, not being trusted entirely by the ‘marrieds’, she meets up with Nell, another single woman who the one day disappears and Anna the finds her at a night club where she finds that single women working on the docks can find other ways easier ways to get by:


“I haven’t any job at all,” Nell said. “Unless you count trying to look smashing all the time so Hammond doesn’t toss me out.” They seated themselves among a group who occupied several tables near the dance floor. Anna noticed Marco and reddened when he looked in her direction. But he was watching Nell. “Would he really throw you out?” Anna whispered. “Hammond is a pig,” Nell said, which dumbfounded Anna, Hammond himself being inches away, his arm around Nell’s shoulders. Anna averted her gaze as if she’d been guilty of an indiscretion. “Then why do you—” “Money,” Nell said brightly. “He’s loaded with money, and he pays for everything. He lives in an eight-bedroom mansion in Rye, New York, with his wife and four children. He’ll never leave them—I was nuts to think he would. Isn’t that right, darling,” she called to Hammond. “Anna worked with me at the Naval Yard. Hammond doesn’t like to hear about that. He thinks girls shouldn’t work at all; they should just dream up new ways to entrance him.”


It is then at this club that she meets Dexter Styles, for the first time since that day at his house on Manhattan beach, using a false name so that he doesn’t link her to Eddie. As she better gets to know Styles, her knew life diving and her quest for her disappeared father lead her and Styles to the truth about her father. In parallel Styles is asked to take Badger from Chicago under his wing and is amazed at his naivety:


Dexter marveled at his insolence. It made him grasp something that had eluded him until that instant: Badger thought he was protected. He’d mistaken Mr. Q.’ s helping hand for immunity of some kind—apparently unaware that Mr. Q.’ s own brother had vanished in the course of his ascent, along with at least two cousins. This misapprehension explained Badger’s exaggerated deference toward Dexter, the twist of mockery inside it.


But then the wheel turns full circle and called late at night to a boathouse by one of Mr. Q.’s sons, Dexter finds himself in the same position with Badger as Eddie had with him all those years ago.

There are twists in this story and so I don’t think there was a spoiler yet here in Jennifer piece of historical fiction. An interesting and well researched story.

First Published in English as “Manhattan Beach” in 2017 by Scribner.

Anthony Doerr ‘All the light We Cannot See’

—He leads them single file down two twisting staircases and along several corridors and stops outside an iron door with a single keyhole. “End of tour,” he says.img_0992 A girl says, “But what’s through there?” “Behind this door is another locked door, slightly smaller.” “And what’s behind that?” “A third locked door, smaller yet.” “What’s behind that?” “A fourth door, and a fifth, on and on until you reach a thirteenth, a little locked door no bigger than a shoe.” The children lean forward. “And then?” “Behind the thirteenth door”—the guide flourishes one of his impossibly wrinkled hands—“ is the Sea of Flames.”

Anthony Doerr in his 2014 Pulitzer Prize winner brings us the parallel stories of two main protagonists whose paths cross in Normandy in 1944, Marie-Laure, a young girl living with her father, the locksmith at the Natural History museum in Paris and Werner Pfennig, an orfan living in a mining town Zollverein in the Ruhr and why Werner has for a mission to find and eliminate her but does not.

Marie-Laure, as a young girl goes blind and her doting but meticulous father builds her a 3 dimensional scale model of their quartier so that she can go anywhere in this quartier and get back home. In the museum is the mysterious Sea of Flames, a most valuable jewel, hidden as described in the opening quote behind thirteen locks whose legend says:

—The keeper of the stone would live forever, but so long as he kept it, misfortunes would fall on all those he loved one after another in unending rain.

In Zollverein Werner and his sister, Jutta are brought up in their austere orphanage after their father is killed in a mining accident and his body never recovered, by a French mother-tongue nun, Werner is gifted with radios, can build and repair them from a young age and one night Werner and his sister tune into a far off broadcast in french:

—The Frenchman’s voice is velvet. His accent is very different from Frau Elena’s, and yet his voice is so ardent, so hypnotizing, that Werner finds he can understand every word. The Frenchman talks about optical illusions, electromagnetism;
Time slows. The attic disappears. Jutta disappears. Has anyone ever spoken so intimately about the very things Werner is most curious about?

For the children of the orphanage there is no way out, the orphanage raises the children and all boys from the age of fifteen “without exception” will go down the mine.

The story is built from these foundations, Werner is recognised for his key and necessary radio skills, sent to an elite Hitler youth school where he designs, manufactures and then operates, in the field during the war, radio emitter detection devices and his team then mercilessly kill the operators. Marie-Laure and her father leave Paris during the invasion carrying one of four copies of the Sea of Flames for which one is the original. Anne-Laure spends the war with her reclusive uncle who before the war emitted captivating stories not knowing if he had listeners and during the war emitted for the resistance but unable to resist putting something of his pre-war broadcasts into his performance, whilst Anne-Laure picked up the messages to be broadcast.

And yes of course this particular radio is the point of intersection of their stories and under the allied threat and then attack of Saint Malo, Werner does the right thing.

This is an exceptionally well researched story with a necessary touch of fantasy, its pages are filled with thousands of details, it has however left me pining as a reader for something akin to the French mouvement of the past, La Nouvelle Vague for films, or maybe Punk for music, that is to say the risk of wing and a prayer writing or maybe just not using computers. I feel a little like a consumer, somebody has done all the work for me

First published in English as ‘All the Light We Cannot See’ by Scribner in 2014